I recently had the opportunity to
sit down and interview Tom Bradley, author of The
Kona Shuffle and The
Hilo Hustle.
Me:
Describe The Kona Shuffle in 26 words or less.
Tom Bradley (TB): When a backpack
full of stolen jewelry goes missing, private eye Noelani Lee matches wits with
mainland crooks and greedy locals to find the lost rocks.
Me: How does a Pennsylvanian who’s lived in California, Texas
and Vegas, wind up writing a story set in Hawaii? Do you have an aversion to
the fly over states?
TB: Maybe deep down I’m Hawaiian? No? Okay, well we vacation
there every year—pick an island, book a flight, and settle in for a week in a
timeshare condo. Well, the Big Island is my favorite and after one trip there
several years ago, I started having flights of fancy about writing a novel set
there. Especially after we saw the black-sand beach at Punalu’u. The place
exudes some kind of magic for me, which I play off in my current project, THE
PAHALA TWIST.
That’s pretty much it. And while I have
nothing against fly over states, I’ve driven through them. So I know for a fact,
there’s a reason why they are called “fly over states.”
Me: Your character, Noelani B. Lee, is a Private Investigator.
What was your attraction to that career and what was the reason for choosing a
female lead?
TB: I’ve always loved detective fiction, dating back to when I
was a kid, devouring Sherlock Holmes and Agatha Christie tales. I still love
them. So, fancying myself a crime/mystery/caper writer, I decided to make my
main character a PI. How she became a woman was, almost literally, an evolutionary
step. Plus I think it’s a challenge to write a female character, although she
is one with a hormonal condition that leaves her with some male traits. But
she’s cool, she’s smart, and she’s got enough flaws to make her interesting.
Like most women I know.
Me: Mystery writers are an odd bunch. Alcoholic beverages
aside, what, or who, would you say influenced your work the most?
TB: Other mystery and crime writers, most notably the late,
great Elmore Leonard and Carl Hiaasen. I’ve drawn a tremendous amount of
inspiration from those guys and some others. As for the booze, I really don’t
drink much when I write. Though what qualifies as “much” is relative.
Me: Most people pick up a book and don’t realize just how much
work goes into writing. What would you say was the hardest part?
TB: Looking at that blank first page and think, “What the hell
am I doing?” But once the story starts to flow, and especially when you have
good days and you crank out a couple thousand words or so, it almost seems too
easy. Then you edit it and you think, “Oh wow, this is awful.” But that’s where
the real fun comes in for me. I love editing, and I have no problem slashing
and burning my own writing. I know crap when I read it, and if I write crap, I take
no offense from myself for destroying the village in order to save it.
Me: Did your original idea for the ending actually survive
until the end or did you alter it along the way?
TB: Nope. The ending of THE KONA SHUFFLE is a far cry from what
I planned at the outset. But it works much better.
On the other hand, the ending for
THE HILO HUSTLE came out just as I anticipated, with some minor variations.
Me: You just released The Hilo Hustle in early February, the
sequel to The Kona Shuffle. Any plans for a third book, The Mauna Loa Macarena
perhaps?
TB:
I’m off-and-on writing THE PAHALA TWIST
as we speak, and am collecting mental plot notes for future novels THE WAIMEA
TWO-STEP and THE PUNA SHAKE. But THE MAUNA LOA MACARENA? Kinda has a ring to
it. Can I keep it?
Me:
Tom, thank you for taking the time out to share your story with my readers. Now
get back to work and keep churning out more good reads! If you are looking for a
good upcoming summer mystery read, set in a warm tropical paradise, then I
recommend that you check out Tom’s book.
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