For the time it takes to watch a movie, catch a television show or read a book, you are able to suspend belief and transport yourself far away from the trials and tribulations of the real world. That being said, you really do need to have a new world to go, but for some odd reason, Hollywood has apparently run out of new ideas.
Now, I will be the first to admit that I loved Ronald Moore's re-imagined Battlestar Galactica series. Having grown up watching the original TV show I was not at all upset when they brought it back with a more mature theme. They kept true to the original premise, but managed to add a darkness and complexity that I don't think would have worked nearly as well back in the 70's.
But, it seems that this is one of the true exceptions these days.
Hollywood seems hell bent and determined to remake everything and I just don't understand why. There is an abundance of new material out there to draw ideas from. Take my books as a prime example. Yes, I know it's a shameless plug, but that doesn't make it untrue.
One book reviewer opined that James Maguire was the new Jack Reacher. I'll confess that I think Maguire is a helluva lot more bad-ass, but I'm biased. And, as good as Maguire is, he also has a very complimentary cast of fellow characters, including a number of strong female ones, that provide something for everyone.
My motivation in writing riveting story-lines stems from the fact that I grew up as a voracious reader. I whiled away the hours journeying to far away places, traveling side by side with some amazing heroes and heroines. It didn't matter if it was Paul Artreides (Dune), Jack Ryan (Patriot Games) or Han Solo (Star Wars). The one thing these characters had was the ability to suspend my belief, but in a very plausible way. It is one of the things I strive for in my books.
I write characters that the reader gets invested in, whether they are the protagonist or the antagonist. The biggest reward for me is when a reader says: "You know, I hated so-and-so, but I read that chapter and couldn't help but feel bad for them." There is no greater reward, and no greater curse, then when you finish a book and the next thing you are getting are emails from your readers asking when they next book is coming out.
Today, Hollywood has simply gotten lazy. Rather than take the time to invest in new stories, they seem determined to prove that they can capture lightening once again. Often with dismal results.
Case in Point: CHiPs (The Movie)
To put it mildly this was a debacle. First, it was a slap in the face to the original series. Say what you will, but CHiPs was a positive television show that cast law enforcement in a good light. The movie, not so much. The $25 million dollar production managed to bring in an amazing $25.5 million dollar box office haul. That's right, for their effort they eeked out half a million in profit and garnered a dismal 16% rating on Rotten Tomatoes.
Sadly, this level of movie buffoonery seems to be all the rage these days.
Whether they are remaking Carrie, Planet of the Apes, Starsky & Hutch, The Magnificent Seven, Rollerball, The Bad News Bears, Arthur, Baywatch, The Goodbye Girl, Total Recall, Conan, Ghostbusters (shudder), or even the 27th incarnation of SPIDERMAN, the bottom line is more often than not they fall flat on their face. I mean really, what's next in the queue? Dirty Harriett?
To a certain extent I can understand the appeal. You have a vehicle that had a following and you figure you can re-capture that for a new generation. Unfortunately, very few take the approach of Ron Moore and up their cinematic game. I think it is also one of the reasons why Netflix and Amazon Studios are enjoying such success.
There comes a point when you have hit rock-bottom and begin to re-evaluate things. Unfortunately, Hollywood seems intent to keep digging or, at the very least, beating the proverbial dead horse.
So if you folks in Tinseltown have reached the end of your rope, and want to secure a lucrative book franchise, have your people contact my people and we'll do lunch.
